How to Unsee an Invisible Man and Other Tales

The Visible Man

He keeps quiet most days;

that’s the only way to be,

the only way to not get discovered

in the scuffed linoleum hallways,

shoved into a dented aluminum locker,

inappropriately laughed at

by the minimum wage lunch lady,

berated by the tired geometry teacher.

He learned long ago, before all of this,

that it’s always best to be

as close to invisible as possible,

to seem inconsequential, to be air.

He knows that’s not totally possible,

less the invisible man,

more the visible man model

in the formaldehyde biology room,

but he does his best to be

if not invisible, at least translucent.

The thought brings him a small joy:

imagining everyone running for cover

at the sight of masticated rectangle pizza

from the humid lunchroom 

sliding down his visible esophagus,

cheerleaders running for cover,

jocks and nerds alike losing 

their own government subsidized lunches.

He learned to hide from it all

back in his trailer park neighborhood,

and thinking school would be an escape,

he was horrified to learn

the other kids could smell the poverty,

the hopelessness, the acquiescence

on his worn-down toothbrush breath.

So now he keeps quiet most days,

and every now and then,

he gets away with it.

At least until he gets home.

Interlude

It’s only temporary.

That’s what he tells himself

in the darkest hours of the night

when all life feels stagnant

and suffocating, constricting

everything he knew about the world,

and bringing whatever focus

he might’ve managed into a

fuzzy tenth-generation photocopy.

Nothing about this is ideal,

and his wife wordlessly lets him know

every single day, though that is

never her true intention; 

her midnights have become just as

bleak and colorless as his.

The girls in the scavenged trundle bed

know it too, though they 

don’t know they know it;

only that something that 

once was so right has gone 

unimaginably sideways since the 

downsize word crept its way

into their parents’ whispered conversations.

The ancient single-wide is a far cry

from the small apartment,

government subsidized though it was,

where once the whole family had

vibrant dreams of upward momentum.

It’s only temporary, he tells himself,

but somehow his heart 

refuses to believe it, and in those 

quiet, dark moments, he finds it

impossible to catch his breath.

an untitled moment

a moment on the outside 

of all of this

a breath

a whisper

a promise

of what can be

when the only noise

comes from the wind

and a bird

and your own

beating heart

Scraps

The dog walks the 

side of the dirt road

looking for scraps of

anything that might be anything.

Sometimes the kids of the Park

will throw him a bone,

or even a scrap of bologna,

offer a scratch on his head,

occasionally dislodging one of the

more persistent ticks.

The dog used to have a name,

but he, nor anyone else

can remember what it might’ve been,

so most settle for “you”

or “boy” or “get the hell out of here.”

On the good nights,

the dog will huddle down 

in the crawlspace under a trailer,

making bedfellows with 

bugs and rats and mice

and sometimes the occasional snake.

On the bad nights, he finds himself

curled in the corrugated pipe

separating the drainage ditch

with the small stream running through

the wooded area at the limits of the Park.

On those nights, the dog wonders

in his own dog way, if this is it,

if this is what life is:

barely surviving just so you can

barely survive another day.

In this way, the mangy, homeless mutt

has more in common with 

nearly every resident of the trailer park

than anyone is willing to admit.

Belief

Most sweaty, sleepless nights,

she hides herself under the

threadbare quilt, the one 

if legend is to believed,

was sewn by her great-grandmother.

There’s another world

under that claustrophobic expanse,

one that doesn’t believe in

bottles and pills and powders

and bullets and knives and belts

and shouts and kicks and bites

and words, always so many words,

none of them ever anything

anyone, especially an eight-year-old 

would ever want to hear.

Under the quilt, with its musty smell,

with its swampy heat,

she can imagine anything,

she can be anywhere, and she always 

chooses anywhere other than here,

anything other than this.

When they go at it 

on the other side of the thin wall,

she wants to cry like she used to,

but all of this is far too familiar,

and she can’t bring herself to do anything

but believe in the world under the quilt,

and what’s going on in the 

other side of the single-wide

is that part that’s in her head.

Weeds

The weeds are where he belongs.

That’s what he thinks as he sits,

scratchy vegetation tickling his skin,

all kinds of things, microscopic and otherwise,

coming to greet him with the 

hospitality of a pleasantly forlorn landscape.

This stretch of nothing isn’t far from everything:

all those trailers with their thin walls

and shouting at anything but the cause;

the drainage ditch where the older kids go

to drink their fill of a life of their own;

the truth or dare train tracks,

constantly pummeled by an ozoneless sky,

hotter and faster than those worn wheels

screeching their promise to let you just stop.

Chiggers are the rule, but the boy’s mother’s

clear nail polish can take those 

angry red bumps to a street on the south end,

where they slurp up and are now only 

a little annoyed in a way the boy can forget

on those sweaty, third-hand WWF sheet nights,

those nights when the air through the open window

tastes like someone gave up,

and of course, they all have in their own way.

But out here in the weeds, none of this matters,

because the boy can breathe,

he can think, and when the world moves

in just the right way, he can live.